Extraordinarios con Lisbeth Carolina Coimen

Extraordinarios con Lisbeth Carolina Coimen

Interview by Yayett Peralta

Lisbeth Coimen is a L.Á. writer who has wandered the immigration path from her native Venezuela, to Canada, to USA, leaving pieces of her heart scattered in the places she’s lived.

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I ASKED THE BLUE HERON (2017)

I ASKED THE BLUE HERON (2017)

By J.T. The L.A. Storyteller
FROM: Medium

0_PqQDlS11dVFsruWRTo come to terms with one’s status as a survivor is to relive the moments that nearly ended one’s life. To collect those moments and offer them to the world is to relieve their weight on one’s mind so new possibilities in one’s life may take shape. Lisbeth Coiman, an Afro-Venezuelan poet and writer, has embarked on this process in a particularly relevant reading journey for working-class people in cities like Los Angeles, especially for migrants from Latin America.

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Forthcoming From Local Press Los Nietos: “Behind the Red Curtain” by Hồng-Mỹ Basrai

By Brian Dunlap

coverLos Nietos Press is small. Last year they published Long Beach poet Thomas R. Thomas’ latest poetry collection Star Chasing, a poetic memoir about his life growing up in a Southern California tract-house through his adulthood living in the Southland. In 2018, they published San Bernardino native and Long Beach resident liz gonzález’ first full length poetry collection Dancing in the Santa Ana Winds: Poems y Cuentos New and Selected.

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Locs in the Sweat Lodge: On Shonda Buchanan’s “Black Indian”

By Eisa Nefertari Ulen
FROM: LARB

downloadAward-winning poet Shonda Buchanan honors multiple literary traditions in her breathtaking new memoir, Black Indian. An educator, freelance writer, and literary editor, Buchanan is a culture worker with deep, decades-long engagement in communities of color. Her work honors the complexity and diversity of these Black, Indigenous, and People of Color (BIPOC) communities. At once Indigenous, Black Female, Speculative, Feminist, Womanist, Urban, Southern Gothic, and counter to the Tragic Mulatto stereotype in American literature, stage, and film, Black Indian is a quintessentially American narrative.

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My El Monte Halloweens

By Michael Jaime-Becerra
FROM: Los Angeles Times

downloadWhen I was a boy, we didn’t celebrate Halloween. I recall trick-or-treating once, the year I was 5, my mother taking my sister and me to our nana’s house in South El Monte, me in a cowboy costume, my caramel-colored corduroy vest and chaps fresh from my mother’s sewing machine, my sister’s ladybug costume too. We approached a few houses to collect whatever candy we could, and aside from a future Halloween party or two and our elementary school’s costume parade, that was it.

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A Great Spirit Trapped in a Tiny Life: On Cherríe Moraga’s “Native Country of the Heart”

By Michael Nava
FROM: Los Angeles Review of Books

download (1)Cherríe Moraga has been an iconic figure in queer and Latinx literature since the 1981 publication of This Bridge Called My Back: Writings by Radical Women of Color, an anthology she edited with the late Gloria Anzaldúa. Bridge was among the first explorations of how people and communities with multiple social identities — queer women of color, for example — are subject to intersecting discriminations that create complex and profound forms of oppression — what we now call intersectionality. In the decades since Bridge, Moraga has produced fiction, poetry, and plays, received awards and fellowships, and taught at Stanford University and the University of California at Santa Barbara. Even with these credentials, she, like other queer writers of color, has been patronized by a largely white, straight literary establishment, which often dismisses work like hers as special interest pleading, while hailing the work of straight, white writers for its universality.

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