By Brian Dunlap
Sara Borjas is the guest on the latest episode of The Blood-Jet Writing Hour.
I had the privilege of spending a few days with Sara Borjas at the CantoMundo retreat in the summer of 2016. She is electric—smart, funny, sassy, vulnerable—and these qualities come through immediately in her debut collection, Heart Like a Window, Mouth Like a Cliff. The title indicates the heart will be fully exposed—a “window” that can be seen and seen through—but the mouth is another story. The image of the “cliff” suggests that the speaker’s words will present obstacles and launching points, precarious ledges and walls to slam against.
Brenda Delfino interviews Sara Borjas FROM: LARB
Poems can be windows. They can also be doors. These are truths to prescribe to while reading Sara Borjas debut poetry collection Heart Like a Window, Mouth Like a Cliff. A window can work as an enterence, can mirror the reflection of someone familiar. In her poem “Lies I Tell,” previously published by the Academy of America Poets, Borjas writes,
By Feroz Rather
FROM: The Southeast Review
Born in San Francisco and raised in Vacaville, Michelle Brittan Rosado earned an MFA in Creative Writing from California State University, Fresno, and is currently a PhD candidate in Creative Writing & Literature at the University of Southern California. She is the author of Why Can’t It Be Tenderness, which won the Felix Pollak Prize in Poetry selected by Aimee Nezhukumatathil (University of Wisconsin Press, 2018). Her chapbook, Theory on Falling into a Reef, won the inaugural Rick Campbell Prize (Anhinga Press, 2016). Her poems have been published in the Alaska Quarterly Review, Indiana Review, Poet Lore, San Francisco Chronicle’s “State Lines” column, and The New Yorker, as well as several anthologies.
by B.A. Williams
From: The Rumpus
Joseph Rios’s debut collection, Shadowboxing: poems and impersonations, published last year by Omnidawn, is a middle finger to the institution in both form and content. This isn’t to say that Rios isn’t well-versed in tradition, as Rios steps into the ring exchanging blow after blow with poetic tradition. Rebellion bobs and weaves on each page. Rios throws combinations of playwriting, lyric, narrative, and experimental techniques that often have a Romantic ring to them.