LMU’S SHONDA BUCHANAN TELLS TRUER TALES OF AMERICAN HISTORY

By Carolyn Neuhausen
FROM: The Argonaut

coverLoyola Marymount University writing instructor and rhetorical arts fellow Shonda Buchanan understands how abuse and self-hatred — the kind that ripples through families for generations — can set the tone for interpersonal relationships for decades, if not centuries.

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Locs in the Sweat Lodge: On Shonda Buchanan’s “Black Indian”

By Eisa Nefertari Ulen
FROM: LARB

downloadAward-winning poet Shonda Buchanan honors multiple literary traditions in her breathtaking new memoir, Black Indian. An educator, freelance writer, and literary editor, Buchanan is a culture worker with deep, decades-long engagement in communities of color. Her work honors the complexity and diversity of these Black, Indigenous, and People of Color (BIPOC) communities. At once Indigenous, Black Female, Speculative, Feminist, Womanist, Urban, Southern Gothic, and counter to the Tragic Mulatto stereotype in American literature, stage, and film, Black Indian is a quintessentially American narrative.

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A few thoughts on adapting “The Courtship of María Rivera Peña” for the screen

By Daniel A. Olivas
FROM: Labloga.com

41BTS5D4T1L._SX304_BO1,204,203,200_Nineteen years ago, a small independent press based in Pennsylvania—sadly now defunct—published my first book, a novella titled The Courtship of María Rivera Peña(Silver Lake Publishing). The story is loosely based on the migration of my paternal grandparents from Mexico to Los Angeles in the 1920s and follows the courtship, marriage, and family life of the cook Beto and the beautiful waitress María. Three years later, a longer, second edition was published under the same name but with a slightly different cover design. I am now exploring with a publisher whether we can publish a 20th anniversary edition that would include a scholarly introduction.

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