Viramontes’ passion for bringing erased communities to the forefront of literature and history has materialized into several acclaimed literary works.
By Jackie Swift
Helena María Viramontes, English, brings people and places erased from history to life again. For years, she has focused her lens on the Latino experience in the United States, writing award-winning fiction that draws from her own heritage as a Chicana from Los Angeles. In her latest novel-in-progress, The Cemetery Boys, she explores the experiences of three generations of East Los Angelenos mired in three different wars. During this exploration, she highlights the mix of ethnicities and marginalized communities that flourished and then faded away in the California of the early-to-mid twentieth century.
Continue reading “Erased History, Forgotten Communities”
by Maia Gil’Adí
From: American Horror Stories Site
I assigned Sesshu Foster’s Atomik Aztex (2005) as an incentive to begin work on the fourth chapter on my dissertation. In all honesty, I was using my students and our in-class discussions as a sounding board for my own ideas about this complicated novel. Unlike other readings this semester (besides Beloved, perhaps), Atomik Aztex is particularly difficult. It is formally and thematically challenging, implementing postmodern stylistics in conjunction with surrealism, Gonzo “journalism,” and the satirical, which can be baffling for readers. Foster’s mixing of the “low-brow” and “high-art,” popular and consumer culture, Anglo-American and indigenous cultures also present a challenge for readers. My own interest in this book emerges from Foster’s “performance” of Chicanx in this novel and the possibilities that emerge from reading intra-ethnically and across racial and national boundaries.
Continue reading “Cyclical Time, Slaughter, and Colonial Violence in Sesshu Foster’s Atomik Aztex”