By Victoria Chang
FROM: The Normal School
Sometimes I wish I didn’t try and fix everything from your childhood. Sometimes I wish I hadn’t tried so hard to help you memorize your math facts when you weren’t ready. Sometimes I wonder how many mistakes I am making now that will become clearer only later.
Continue reading “DEAR DAUGHTERS, DEAR LINDA: ESSAYS FROM ‘TERRIBLE CRYSTALS’”
By Michael Nava
FROM: Los Angeles Review of Books
Cherríe Moraga has been an iconic figure in queer and Latinx literature since the 1981 publication of This Bridge Called My Back: Writings by Radical Women of Color, an anthology she edited with the late Gloria Anzaldúa. Bridge was among the first explorations of how people and communities with multiple social identities — queer women of color, for example — are subject to intersecting discriminations that create complex and profound forms of oppression — what we now call intersectionality. In the decades since Bridge, Moraga has produced fiction, poetry, and plays, received awards and fellowships, and taught at Stanford University and the University of California at Santa Barbara. Even with these credentials, she, like other queer writers of color, has been patronized by a largely white, straight literary establishment, which often dismisses work like hers as special interest pleading, while hailing the work of straight, white writers for its universality.
Continue reading “A Great Spirit Trapped in a Tiny Life: On Cherríe Moraga’s “Native Country of the Heart””