Endeavor: An Interview with Cynthia Guardado

by Therese Marie Konopelski
FROM: Letras Latinas Blog

AuthorPhoto_NevadaEndeavor is a tender and sorrowful work, opening old scars and healing them with love and retrospective wisdom. There is a respectful and appropiate sense of nostalgia that permeates the narrative; for Inglewood, CA before gentrification, for innocence, and freedom of days gone by. It does not grieve, rather it treats Latinidad, womanhood, and abuse survivors with compassion and understanding. Guardado offers sincere meditations on injustices that affect women every day. Ultimately, the reader is renewed, and finds a sense of freedom in remembering these lived scars.

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Two Awards and Two Book Releases

by Brian Dunlap

downloadOver the past two weeks more good news has come to the Los Ángeles-Long Beach literary community. Two accolades for a spoken word album that a L.A. poet has two tracks on, and an honor for a poet writing about El Salvador and Salvadorian issues, plus two poetry releases.

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Cynthia Guardado Interview Podcast with Ever Velasquez and Todd Taylor

From: razorcake.org

cynthia_guardado_takashi_matsumoto_razorcakeCynthia Guardado is a fierce and unapologetically brown Salvadorian American female punk rockera, poeta, activista, y profe straight from Inglewooooood, California. Her poems have been published in PALABRA, A Magazine of Chicano & Latino Literary Art; The Packing House Review; and Razorcake’s very own Puro Pinche Poetry: Gritos Del Barrio.

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Endeavor

By Brian Dunlap

Originally published in Dryland

Endeavor
by Cynthia Guardado
January 18, 2017
World Stage Press
110 pages

15879220_10211893348915512_1761981898_nIn Endeavor, Cynthia Guardado has penned 53 very personal poems. These poems that form her debut collection revolve around survival. The survival she discusses—surviving a misogynistic world, surviving the fear and violence of white supremacy or surviving the daily trauma of being invisible to the country at large, for example—stems from her perspective as a Salvadorian American woman from Inglewood, California.

As a woman of color Guardado understands Audre Lorde’s concept that “poetry is not a luxury.” Though Lorde, in her essay, is specifically speaking about black female poets’ needs to pen poems because it’s “a vital necessity for our existence” since it helps “form the quality of the light within which we predicate our hopes and dreams towards our survival and change,” the concept easily applies to any female poet of color. Guardado uses this vital necessity to infuse her poems with an unshakeable rightness to her own witnessing.

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