Untranslatable Voices: Vickie Vértiz Writes Los Ángeles in “Palm Frond with Its Throat Cut”

by Isabel Gómez

From: LARB

41CpYKt5dSL._SX332_BO1,204,203,200_“IT’S THE BROKEN PARTS that matter” claims Vickie Vértiz, in a note to her poem “Nahuatl — A Revenge,” which features what she calls “imperfect” translations from the indigenous Nahuatl language into English. Vértiz’s imperfect translations recall what theorists Emily Apter and Jacques Lezra, following Walter Benjamin, call “untranslatables”: philosophical concepts that both invite and prevent transfer between languages, words that call out to be reinvented in their new language context precisely by resisting translation. In Vértiz’s poems, Latinxs living in California share “untranslatable” experiences that take place between English and Spanish. Her poems transform displacement and a polluted cityscape into sources of resistance and aesthetic restructuring. The visually and sonically rich setting of these poems may be polluted — by toxic air, water, and soil; toxic masculinity and white supremacy — but Vértiz celebrates what her community grows in this toxic ground and voices their untranslatable experiences.

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Local writer Lynell George wins Grammy for ‘Otis Redding Live at the Whisky A Go Go’

by RANDY LEWIS

From: L.A. Times

VNK4ZE2BNFCADELLGZ5H3W3D5QThe L.A. connection is strong in the winner of the Grammy Award for album notes.

It was awarded to veteran music writer, and former Times staff writer, Lynell George, for her notes for the box set “Otis Redding Live at the Whisky A Go Go: The Complete Recordings,” documenting the  soul singer’s incendiary performances at the West Hollywood nightclub in 1966.

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